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Abstract

#Violin Blueprint Violin Blueprint

Violin Blueprint-
* Free Violin Videos
* Program Catalog
* About Clayton Haslop

Free Violin Videos

My name is Clayton James Haslop. I've lead the orchestra from the
concertmaster chair for Avatar, Titanic, Ratatouille, Star Trek, Up,
The Incredibles, Benjamin Button, The Matrix movies, A Beautiful Mind,
Mission Impossible II, How the Grinch Stole Christmas, and Apollo 13.
In fact, check out The Incredibles DVD where I am interviewed on one of
Hollywood's scoring stages.

In three decades as a professional violinist I have performed on the
soundtracks of well over 1,260 films - often as concertmaster and solo
violinist. If you watched the 2009 Oscars you will have seen me lead
the orchestra and perform the violin solo for James Newton Howard's
Defiance during the presentation for Best Original Score.

But don't assume I have only been a commercial violinist.

In addition to my life as one of Hollywood's busiest recording artists
I have traveled three continents as a soloist and member of three
recognized chamber ensembles; released several CDs; served as
Concertmaster of the Los Angeles Chamber Orchestra, Pacific Symphony
and Los Angeles Music Center Opera; taught on the music faculty of two
colleges; given masterclasses at numerous universities, schools of
music, and public schools in North America and abroad; and maintained a
small private class of students. In short, as a classical violinist, I
have done it all and now it is time to share it all.

I've spent 35 years learning what it takes to become a great violin
player and I'm going to teach you exactly what I've learned.

May the Force of Music be with you!

Clayton Signatire

Clayton With Michael Giacchino and James Horner
Praise for clayton
"His was playing of the highest sort -- pearly pure, elegantly light,
yet expressive, and with never a hint of exaggeration. If anything,
Clayton Haslop's playing leaned in the direction of Arthur Grumiaux --
first class all the way."

San Francisco Chronicle

"The rewarding evening was dominated by a captivating performance of
Mendelssohn's D-minor Violin Concerto. Haslop downplayed the Classical
roots of this early work by de-emphasizing its elegance and simplicity
in favor of its dramatic content. He exploited the contrasts between
lyricism and virtuosic passages with stylish flair and seemed to savor
each note of the passionate Andante."

The Los Angeles Times

"You'll not hear sweeter, more delicate, more fluent, more flawlessly
tuned string playing anywhere."

The Kansas City Star

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